The magnificence of the Minnesota Capitol Rotunda is enhanced by the four large paintings by accomplished muralist Edward Simmons, who was given the task of filling in the pendentives above the entablature of the rotunda, the subject being “The Civilization of the Northwest.” Filled with allegory and symbolism, the panels were executed by Simmons in Paris, France and shipped to St. Paul. Capitol architect Cass Gilbert supplied Simmons samples of the marbles and all colors that were to be used in immediate nearness. The colors of the dome, deep blue and gold, prevail in Simmons’ canvases, combined with strong greens, purples and flesh tones, making an effect at once daring and harmonious.

The first, or southeast panel expresses the idea of youth leaving home, the East, which is shown by the sea. He is held back by “Timidity” or “Convention.” He follows the beckoning of “Hope”, a lithe, graceful figure in transparent green, and at his side stands the goddess of “Wisdom” with helmet and shield, draped in a long, blue cloak which she wears in the succeeding two pictures.